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Every frameholds. a feel.
Editing, for me, is the art of slowing time and amplifying emotion taking fleeting moments and turning them into stories that breathe, move, and stay with you.
Engineer turned Editor
I'm a video editor with three years behind me, currently at Jar, where I work with a team of eight across podcasts, campaigns, long form and short form content.
Along the way I've cut reels for Finance With Sharan and worked as assistant editor on the documentary Untouchable: Laughing Out Loud Caste.
A BE in Information Science from Sai Vidya Institute of Technology also happened somewhere in there, probably why I organise a project properly before I touch it. That’s where I found my passion in video editing
One thing I believe: “A video gets better with every round of feedback, not worse.”
When the timeline's closed I'm on a Dominar 400, escaping the world.
02In the room with
20 selected collaboratorsRearrange the room .
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Selected work
Podcasts
Long Form
Campaigns & TV Ads
Short Form
3D Animation
What people say
We’ve worked with many editors, but what really stands out about Madhu is his ownership. You don’t have to feed him too much—he understands the script, gets the brief, and knows what needs to be done. He’s talented, disciplined, that’s all you need in a good technician.
Working with Madhu on our short-form ad videos was honestly such a smooth experience. He just got the creative direction - the first cuts were almost always spot-on, with barely any feedback or retakes needed. Loved the creative touch he brought to every video!
On the documentary he treated the footage like it mattered because it did. A real collaborator in the edit room.
He asks two or three questions at the start and then you mostly don't hear from him until it's done. The first cut is usually close enough that we end up arguing about music, not structure.
What I would say about Madhu's work is that the deliverables were on time, which was really amazing. He was able to understand the ideas and thought behind the ad campaign and completed the entire setup in two to three hours, which was really helpful and timely.
A career cut into scenes.
Move through the rooms that shaped the way I find rhythm, build tension, and land a story.
Career reel · 6 scenesWhatever you're making, let's make it felt.
Podcast, campaign, event or documentary — if it needs to move people, I'd love to cut it.